Unbearable Fadistas: António Variações and Fado as Queer Praxis
António Variações’s first single, Povo que lavas no rio/Estou além (1982), offers a radical version of Amália Rodrigues’s fado “Povo que lavas no rio” (1962). This article considers Variações as fadista in order to think fado as queer praxis. Though Variações's debut release was a commercial su...
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| Format: | Article |
| Language: | English |
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American Portuguese Studies Association (APSA)
2018-05-01
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| Series: | Journal of Lusophone Studies |
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| Online Access: | https://jls.apsa.us/index.php/jls/article/view/213 |