Perception of a Comprovisation: The Ambiguity of Listening to a Composed Musical Piece Derived from Improvisational Material

In this paper, we aim to reproduce and expand on some of the empirical experiments that have been used to address the aesthetics of listening to improvised music. We focus on a piece of music that we consider to be a comprovisation, a term used for music that is a blend of composition and improvisat...

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Bibliographic Details
Main Author: Arthur Faraco
Format: Article
Language:Portuguese
Published: Associação Nacional de Pesquisa e Pós-Graduação em Música 2021-09-01
Series:Opus
Subjects:
Online Access:https://www.anppom.com.br/revista/index.php/opus/article/view/965