« A reality that almost amounts to illusion »

Walter Pater’s description of Mona Lisa in The Renaissance (1873) turns the famous picture – which as a portrait gives the faithful image of a real person – into a symbol of human aspirations. Considering the painter as a rival of nature, Leonardo da Vinci creates beauty and life in his art, while M...

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Bibliographic Details
Main Author: Martine Lambert-Charbonnier
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2012-01-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/3321