Corpus Studies of Harmony in Popular Music: A Response to Gauvin
This paper responds to the research presented in Léveillé Gauvin’s paper on the evolution of harmonic syntax in popular music from the 1960s. I begin by situating the findings from his second study (on flat-side harmonies) within the context of my corpus work with David Temperley on harmony in popul...
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| Format: | Article |
| Language: | English |
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The Ohio State University Libraries
2015-12-01
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| Series: | Empirical Musicology Review |
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| Online Access: | https://doi.org/10.18061/emr.v10i3.4842 |