« Sometimes it is sufficient to disimagine » (Out, 185) : penser l’engagement avec Christine Brooke-Rose
What does it mean to be a committed writer in the 1960s in Great Britain? Comparing the practice of the writer Christine Brooke-Rose in her first experimental novel Out (1964) with the theory of the French ‘Nouveau roman’ as stated by Jean Ricardou, the author illustrates the difference between prop...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2016-04-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/3096 |