Le tambour rythmique : pour un cinéma de la régression improductive

Drawing upon Eisenstein’s theory of cinematographic movement this article relates the aesthetic principle of "rhythmic drum" that was initially devised to analyse the editing techniques of his own avant-garde productions, to three North American underground films from the 1970s, Back and F...

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Bibliographic Details
Main Author: Massimo Olivero
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2015-02-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/6217