The limits of the visible. For a microphysics of painting
Few years ago, Gerhard Richter painted a pictorial cycle in which the theme of the visibility of reality is brought into question. In Silikat, an image obtained through the scanning electron microscope is translated on the pictorial surface, which offers nothing other than the visible limit of the p...
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| Format: | Article |
| Language: | English |
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University of Bologna
2017-12-01
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| Series: | piano b |
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| Online Access: | https://pianob.unibo.it/article/view/7843 |