Julião Sarmento. The Photographic as Perversion
Instead of stabilising the poles of stasis and non-stasis, and narrative and non-narrative, in the 1970s, Julião Sarmento plays within a concomitant scheme: photography and painting, photography and film, stasis and narrative are merged. What is at stake is the possibility of challenging the moderni...
| Main Authors: | , |
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| Format: | Article |
| Language: | deu |
| Published: |
International Association of Research Institutes in the History of Art (RIHA)
2019-04-01
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| Series: | RIHA Journal |
| Subjects: | |
| Online Access: | https://www.riha-journal.org/articles/2019/0208-marques-braz |