Prisiones textuales. Artificio y violencia enla poesía española del barroco
In search of a new artificial language, Góngora tries to retrieve by poetic means a similarity between words and things. Thus, in his sonnet "Prisión del nácar era articulado" (1620), in which artifice and violence are correlated, artificiality of the description itself corresponds to arti...
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| Format: | Article |
| Language: | English |
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Universidad Nacional de La Plata
2004-11-01
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| Series: | Olivar: Revista de Literatura y Cultura Españolas |
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| Online Access: | http://www.olivar.fahce.unlp.edu.ar/article/view/3368 |