Entre l’immersion dans l’image cinématographique et l’immersion totale
The cinema organizes around its technical constraints, relative to the recording and to the architecture of projection rooms, a narrative writing capable of producing simultaneousely an effect of both reality and fiction, an effect which puts the spectator in a state of suspension and abolition of a...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2010-12-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | http://journals.openedition.org/narratologie/6184 |