O perjúrio absoluto (Sobre a universalidade da Antropofagia)

The Brazilian avant-garde movement known as Antropofagia bears, as a birthmark, a paradox: on one hand, it attempted to advance the nationalistic efforts of the Modern Art Week of 1922 (a hundred years after Brazilian Independency). This paper’s goal is to show how some anthropophagic strategies adv...

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Bibliographic Details
Main Author: Alexandre Nodari
Format: Article
Language:Spanish
Published: University of Bologna 2009-05-01
Series:Confluenze
Online Access:http://confluenze.unibo.it/article/view/1433