Peut-on parler d’un « effet Le Brun » à Notre-Dame de Paris ?
Charles le Brun painted two Mays, four years apart, for the Parisian goldsmiths’ confraternity, Sainte-Anne-Saint-Marcel. In the Marian fraternal tradition they were offered to Notre-Dame cathedral: The Crucifixion of Saint Andrew (1647) and The Stoning of Saint Stephen (1651). The two imposing pain...
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| Format: | Article |
| Language: | English |
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Centre de Recherche du Château de Versailles
2006-03-01
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| Series: | Bulletin du Centre de Recherche du Château de Versailles |
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| Online Access: | http://journals.openedition.org/crcv/14497 |