Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in Rent
Since the 1980s, American film musicals have been increasingly concerned with subjectivities that escape heteronormative categorizations, asserting their gender through a performance that gestures to a major fluidity between gender positions. Rent (Chris Columbus, 2005), adapted from the 1996 cult s...
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| Format: | Article |
| Language: | English |
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European Association for American Studies
2017-02-01
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| Series: | European Journal of American Studies |
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| Online Access: | http://journals.openedition.org/ejas/11720 |