Movement and Time in the Nexus between Technological Modes with Jean Tinguely’s Kineticism
This paper addresses auto-destructive artworks by Jean Tinguely, Homage to New York (1960) and Study for an End of the World No. 2 (1962), to explore a changing consciousness of time in a period of technological transition from modern industrial machines towards the domestication of televisual devi...
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| Format: | Article |
| Language: | English |
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MDPI AG
2014-12-01
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| Series: | Arts |
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| Online Access: | http://www.mdpi.com/2076-0752/3/4/394 |