Visual Antinomy of Sacred Perfection. Ginevra de’ Benci’s Mystery in Tarkovsky’s Mirror
The article examines the significance of Renaissance aesthetics for Andrei Tarkovsky and explores the functioning and semiotic effects of the Renaissance figurative model in the film Mirror. The study focuses on one of the least commented stills with a great symbolic significance – the “Portrait of...
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| Format: | Article |
| Language: | deu |
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Yaroslav-the-Wise Novgorod State University
2021-06-01
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| Series: | Визуальная теология |
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| Online Access: | https://visualtheology.ru/index.php/journal/article/view/55/33 |