Dalla macchina all’opera d’arte. Metafore del vivente nella biologia sperimentale ottocentesca
The paper reconstructs an emblematic case of the relationship between scientific models and metaphors, showing how it is just a metaphor to shape the new image of the life promoted by Claude Bernard in the context of nineteenth-century biology. In fact, the scientist chooses to map a field that is s...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2014-12-01
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| Series: | Aisthesis |
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| Online Access: | http://www.fupress.net/index.php/aisthesis/article/view/15295 |