O paradigma do tresillo

This paper purposes an interpretation of a theme that recurs in the literature on printed music when it deals with certain South and Central American dance styles of the second half of the 19th century, namely, the formal and semantic relationships between rhythmic formulae known as "síncope c...

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Bibliographic Details
Main Author: Carlos Sandroni
Format: Article
Language:Portuguese
Published: Associação Nacional de Pesquisa e Pós-Graduação em Música 2002-02-01
Series:Opus
Online Access:http://www.anppom.com.br/revista/index.php/opus/article/view/142