Paris, borders and the concept of Europe in Paris, je t’aime and Code Unknown
Michael Haneke’s Code Unknown and the multi-director Paris, je t’aime belong (the latter at least in part) to a recently emerged cinematic form described as the network form, which represents changing spaces and plural perspectives in multicultural societies. Reflecting Rosalind Galt’s concept of “a...
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| Format: | Article |
| Language: | English |
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University College Cork
2011-08-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue 1/ArticleSilvey.html |