Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile
The following article describes the process of a documentary filmmaking programme at a secondary school in Chile, which encourages students to engage with a sense of place and intangible cultural heritage. Run by Gaticine – Centro de desarrollo social del cine (Centre for the Social Development of C...
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doaj-d4df042da1414801b8579be444def1262020-12-16T09:43:09ZengUCL PressFilm Education Journal2515-70862020-10-0110.14324/FEJ.03.2.02Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso ChileFelipe Borim CorrêaThe following article describes the process of a documentary filmmaking programme at a secondary school in Chile, which encourages students to engage with a sense of place and intangible cultural heritage. Run by Gaticine – Centro de desarrollo social del cine (Centre for the Social Development of Cinema) in partnership with A Bao A Qu, a non-profit organization based in Barcelona, the programme assists students in discovering and analysing documentary films from different times and cultures over the course of a year, while performing practical filmmaking inside and outside the school. At the end, a short film project is developed that is premiered in a local cinema. This essay provides a brief overview of the principles and methodology of the Cinema en curs programme, before offering a socio-educational consideration of the school in which it was developed and, finally, an analysis of the project’s delivery.https://ucl.scienceopen.com/hosted-document?doi=10.14324/FEJ.03.2.02 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Felipe Borim Corrêa |
spellingShingle |
Felipe Borim Corrêa Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile Film Education Journal |
author_facet |
Felipe Borim Corrêa |
author_sort |
Felipe Borim Corrêa |
title |
Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile |
title_short |
Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile |
title_full |
Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile |
title_fullStr |
Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile |
title_full_unstemmed |
Immaterial cultural heritage and a sense of place in film-based art education: A case study of a documentary film project with secondary school children as part of Cine en curso Chile |
title_sort |
immaterial cultural heritage and a sense of place in film-based art education: a case study of a documentary film project with secondary school children as part of cine en curso chile |
publisher |
UCL Press |
series |
Film Education Journal |
issn |
2515-7086 |
publishDate |
2020-10-01 |
description |
The following article describes the process of a documentary filmmaking programme at a secondary school in Chile, which encourages students to engage with a sense of place and intangible cultural heritage. Run by Gaticine – Centro de desarrollo social del cine (Centre for the Social Development of Cinema) in partnership with A Bao A Qu, a non-profit organization based in Barcelona, the programme assists students in discovering and analysing documentary films from different times and cultures over the course of a year, while performing practical filmmaking inside and outside the school. At the end, a short film project is developed that is premiered in a local cinema. This essay provides a brief overview of the principles and methodology of the Cinema en curs programme, before offering a socio-educational consideration of the school in which it was developed and, finally, an analysis of the project’s delivery. |
url |
https://ucl.scienceopen.com/hosted-document?doi=10.14324/FEJ.03.2.02 |
work_keys_str_mv |
AT felipeborimcorrea immaterialculturalheritageandasenseofplaceinfilmbasedarteducationacasestudyofadocumentaryfilmprojectwithsecondaryschoolchildrenaspartofcineencursochile |
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