Parabolic Transcendence in Time and Narrative : Shane Carruth's PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables
Subjectivity, memory, and the invisible connections between individuals’ identities are all conspicuous themes within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (US 2004) and Upstream Color (US 2013). In this article, I contend that both Primer and Upstream Color are pos...
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| Format: | Article |
| Language: | English |
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Karl Franzens Universität Graz
2020-05-01
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| Series: | Journal for Religion, Film and Media |
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| Online Access: | http://unipub.uni-graz.at/jrfm/periodical/titleinfo/4921434 |