Parabolic Transcendence in Time and Narrative : Shane Carruth's PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables

Parabolic Transcendence in Time and Narrative : Shane Carruth's PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables

Subjectivity, memory, and the invisible connections between individuals’ identities are all conspicuous themes within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (US 2004) and Upstream Color (US 2013). In this article, I contend that both Primer and Upstream Color are pos...

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Bibliographic Details
Main Author: Mayward, Joel
Format: Article
Language:English
Published: Karl Franzens Universität Graz 2020-05-01
Series:Journal for Religion, Film and Media
Subjects:
shane carruth
paul ricoeur
parable
post-secular
transcendence
time travel
film-theology
Online Access:http://unipub.uni-graz.at/jrfm/periodical/titleinfo/4921434

Internet

http://unipub.uni-graz.at/jrfm/periodical/titleinfo/4921434

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