Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves
Choreographer and dancer Kyle Abraham and photographer and filmmaker Carrie Schneider position intimacy in screen dance as an affective hailing to viewers. The intimate visualities they achieve serve as an opportunity to critically hypothesize ways of being in community and understanding black visua...
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| Format: | Article |
| Language: | English |
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The Ohio State University Libraries
2018-06-01
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| Series: | The International Journal of Screendance |
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| Online Access: | http://screendancejournal.org/article/view/6400 |