I <I>Plurimi</I> di Emilio Vedova. Un'esperienza singolare e plurale
With the Plurimi, dating from 1961 to 1965, Vedova separates the picture from the wall and installs it in athree dimensional space, by splitting up the painted surface in a fragmented collection of items that,differently distributed in space, results separated but yet related and aggregated to form...
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| Format: | Article |
| Language: | English |
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Università di Parma
2012-01-01
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| Series: | Ricerche di S/Confine |
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| Online Access: | http://www.ricerchedisconfine.info/III-1/LONGARI.htm |