EssaiBeaucoup de bruit pour Lear
The staging of King Lear by Olivier Py at the Avignon Festival in 2015 triggered a chain of extreme reactions. This paper will give an overview of the various opinions on Py’s production in order to consider the reasons why the work was criticized and whether the harsh criticisms were justifiable.
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2016-02-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/8236 |