Les métamorphoses du monstre. Le satyre dans l’Aminta et ses traductions françaises jusqu’au milieu du XVIIe siècle

The originality of Aminta’s Satyr in relation to his predecessors on the Italian stage goes without question. The genealogy of its speech (in the monologue of act II, scene 1) and the farcical scene of the nymph being attacked (told by Tirsi in act III, scene 1) reveals Theocritus’ influence, which...

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Bibliographic Details
Main Author: Françoise Lavocat
Format: Article
Language:English
Published: Institut du Monde Anglophone 2004-12-01
Series:Etudes Epistémè
Online Access:http://journals.openedition.org/episteme/3853