Le fado et la dictature : les figures de la « victime »
Today, forty years after the end of the Estado novo (1926-1974) in Portugal, the fado, performed by a solo singer accompanied by guitars, is ever considered, in the collective Portuguese imaginary, as a natural accomplice of this dictatorship. However, this popular spontaneous song, considered durin...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Centre de Recherches sur les Mondes Américains
2015-09-01
|
| Series: | Nuevo mundo - Mundos Nuevos |
| Subjects: | |
| Online Access: | http://journals.openedition.org/nuevomundo/68239 |