Les copies à l’ère des premières Expositions universelles : les œuvres de Dasson et de Beurdeley, « un xviiie qui continue de vivre » ?
Copies of French royal furniture or of other eighteenth century chefs-d’oeuvre can be identified as a new type, characteristic of the last quarter of the 19th century. The Parisian firms of Henry Dasson and Beurdeley, whose workshops were devoted to gilt bronzes (including ormolu mounts) and cabinet...
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| Format: | Article |
| Language: | English |
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Centre de Recherche du Château de Versailles
2006-03-01
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| Series: | Bulletin du Centre de Recherche du Château de Versailles |
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| Online Access: | http://journals.openedition.org/crcv/13481 |