Rape in World War II film: comparing narrations
The objective of this paper is to show how the filmmaker’s genre of choice shapes the main discourse of the film. The author compares Helke Sander’s documentary Liberators Take Liberties (1991-1992) and Max Farberbock’s narrative feature A Woman in Berlin (2008) both dealing with the dramatic effect...
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| Format: | Article |
| Language: | deu |
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Editura ARC
2016-12-01
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| Series: | Plural: History, Culture, Society |
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| Online Access: | http://plural.upsc.md/wp-content/uploads/2017/03/04-DZYADEVYCH.pdf |