Admirer en fermant les yeux : la réception critique de l’œuvre de F. Holland Day à Paris en 1901
A key figure of the studies dedicated to the homoerotic photograph, American pictorialist F. Holland Day (1864-1933) patiently built a poetic world inhabited by obviously sensual male nudes. Yet, the critical reception of his work by his contemporaries shows no acknowledgment of this sensuality no m...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2020-09-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/7646 |