Re-imagining Operatic "Objects": Commentary on Neumann's Phenomena, Poiesis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera
Objects come in all sorts of shapes, sizes and forms. The notion of musical works as objects, represented by their written scores, has proved to be effete and limiting to the study of music as diverse social-cultural practice and performed craft. The past two decades have witnessed considerable effo...
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| Format: | Article |
| Language: | English |
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The Ohio State University Libraries
2018-06-01
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| Series: | Empirical Musicology Review |
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| Online Access: | http://emusicology.org/article/view/5957 |