Les coulisses du sublime

Cinema is engaged from its origins in a frantic race to make physically impossible actions visually plausible by camouflaging their conditions of application. Who is at the origin of what? Is there a method and which one? Was the actor supported by machines or by cables? Did he perform the stunt him...

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Bibliographic Details
Main Author: Emmanuel Grimaud
Format: Article
Language:fra
Published: Laboratoire d'Ethnologie et de Sociologie Comparative 2011-06-01
Series:Ateliers d'Anthropologie
Subjects:
set
Online Access:http://journals.openedition.org/ateliers/8830