Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that intensifies the production of presence. He comb...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2010-11-01
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| Series: | Ilha do Desterro |
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| Online Access: | http://www.periodicos.ufsc.br/index.php/desterro/article/view/16422 |