Shakespeare’s Secular Theatre: A Provocative Defence of the Actor and Spectator
Compared to Ben Jonson, Shakespeare seems far more discreet, or even removed from the controversy about the theatre. But appearances can be deceiving: although less visible and more oblique, his responses to the attacks against the stage are nonetheless present in his plays. Against the enemies of t...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2018-09-01
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| Series: | Etudes Epistémè |
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| Online Access: | http://journals.openedition.org/episteme/1977 |