Runa Islam’s Emergence (2011): Reproducing and Projecting Antoin Sevruguin’s Negative in a Time of Uprisings
In 2011 Runa Islam first exhibited a subtle and beautiful film that appropriated an enigmatic colonial glass plate negative, operated with it for both fracturing and multiplying its indexicality, and displaced the negative from – and even against – the history it would be expected to depict. By mean...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Bologna
2020-07-01
|
| Series: | Cinergie |
| Subjects: | |
| Online Access: | https://cinergie.unibo.it/article/view/10521 |