From La dama duende to The Phantom Lady: Calderón de la Barca in the Anglophone World
This article aims at: i) Analyzing lexical discontinuities and the “emphases” exhibited by the “canons” employed in the English version of Calderón de la Barca’s La dama duende, as produced by Edwin Honig in 1961’s The Phantom Lady; ii) Commenting on “explications” and ellipses of references to the...
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| Format: | Article |
| Language: | Spanish |
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Universidad Nacional de Mar del Plata
2017-09-01
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| Series: | Estudios de Teoría Literaria |
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| Online Access: | http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2255 |