Alberti, Vasari, Leonardo, from disegno as drawing to disegno as projective milieu
It can be said that with the perspectival archi-apparatus, perfectly described by Alberti when he wants to create rules for the three arts (painting, sculpture, architecture), the milieu in an initial sense (knowing what supports and is located “before” and “between” apperception and artistic produc...
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| Format: | Article |
| Language: | fra |
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MSH Paris Nord
2009-01-01
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| Series: | Appareil |
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| Online Access: | http://journals.openedition.org/appareil/604 |