Du Pastor Fido au saint constant : la transposition des codes de la pastorale dramatique dans le théâtre hagiographique français du XVIIe siècle
This essay deals with some French hagiographic plays which do not rely on a tragic pathetic aesthetic, such as Corneille’s Polyeucte and Théodore. They are frequently considered as incoherent works, since they do not respect the classical rules. This paper shows that it is fruitful to compare them t...
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Format: | Article |
Language: | English |
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Institut du Monde Anglophone
2003-11-01
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Series: | Etudes Epistémè |
Online Access: | http://journals.openedition.org/episteme/4078 |