Apprendre en copiant : l’acteur / actrice et ses modèles dans les pratiques de copie, d’imitation et de réactivation

Despite the rise of the “actor-creator” figure at the turn of the 19th and 20th centuries, copying, imitation and reactivation processes constitute a significant part of the tools called upon in acting exercises. This persistence, which has its origin in Diderot's Paradoxe sur le comédien (Para...

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Bibliographic Details
Main Authors: Anne Pellois, Tomas Gonzalez
Format: Article
Language:fra
Published: Université de Lille 2021-02-01
Series:Methodos
Subjects:
Online Access:http://journals.openedition.org/methodos/7787