Re-Staging the 1934 Abbey Theatre Production of Yeats’s <em>The King of the Great Clock Tower</em>: An Evaluation and Critique

This essay investigates and critiques an attempt from the surviving evidence to re-stage the first performance of Yeats’s The King of the Great Clock Tower at the Abbey Theatre in 1934. This dance-drama was the last of four collaborations between the playwright and the dancer-choreographer, Ninette...

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Bibliographic Details
Main Author: Richard Allen Cave
Format: Article
Language:English
Published: Firenze University Press 2013-03-01
Series:Studi Irlandesi : a Journal of Irish Studies
Online Access:https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7155