Roman Polanski’s treatment of mutable identity in his film, The Tenant (1976)
This paper explores the identity anxieties evident with Roam Polanski’s 1976 film The Tenant. From psychoanalytical to gender perspectives this paper decodes Polanski’s film and argues that this work demonstrates a sense of identity that it is associated with one’s physicality. From clothing, demean...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2017-01-01
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| Series: | Cogent Social Sciences |
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| Online Access: | http://dx.doi.org/10.1080/23311886.2017.1299554 |