Notes on dissimulation in the theatre of Nelson Rodrigues: the case of O beijo no asfalto
The paradigms that determine what is true and false are the reason for to investigate aspects that represent the dissimulation in O beijo no asfalto, by Nelson Rodrigues. Starobinski’s investigations, for whom the society is built upon the solid bases of the conventions that determine how to be and...
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Format: | Article |
Language: | Portuguese |
Published: |
Pontifícia Universidade Católica de São Paulo
2013-12-01
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Series: | FronteiraZ |
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Online Access: | https://revistas.pucsp.br/index.php/fronteiraz/article/view/15742 |