Il ritmo della decostruzione. Un’esperienza quasi-trascendentale
In this paper I will demonstrate how, in Derrida's approach to Husserl, phenomenology is to be understood through the notions of sound and space. First, I will show how the deconstruction of Husserl's phonologocentrism leads to a repositioning of the traditional concept of sound. Th...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Torino
2014-09-01
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| Series: | Philosophy Kitchen |
| Online Access: | https://www.ojs.unito.it/index.php/philosophykitchen/article/view/3766 |
| Summary: | In this paper I will demonstrate how, in Derrida's approach to Husserl, phenomenology is to be understood through the notions of sound and space. First, I will show how the deconstruction of Husserl's phonologocentrism leads to a repositioning of the traditional concept of sound. Then, I will emphasize the relevance of the spatial element and its rhythmic dynamism. Under these premises, I will present my interpretive hypothesis, that in Derrida's thought there persists a transcendental dimension as a new transcendental aesthetics.
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| ISSN: | 2385-1945 |