Il ritmo della decostruzione. Un’esperienza quasi-trascendentale

In this paper I will demonstrate how, in Derrida's approach to Husserl, phenomenology is to be understood through the notions of sound and space. First, I will show how the deconstruction of Husserl's phonologocentrism leads to a repositioning of the traditional concept of sound. Th...

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Bibliographic Details
Main Author: Carlo Molinar Min
Format: Article
Language:English
Published: Università degli Studi di Torino 2014-09-01
Series:Philosophy Kitchen
Online Access:https://www.ojs.unito.it/index.php/philosophykitchen/article/view/3766