Britten et l’art de la parabole
Between 1960 and 1971, Benjamin Britten seems to abandon large-scale opera in favour of more intimate pieces with a particularly obvious Christian message, his three "parables for church performances," which revisit medieval miracle plays through a specific musical language and stage...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Maison de la Recherche en Sciences Humaines
2004-05-01
|
| Series: | Revue LISA |
| Online Access: | http://journals.openedition.org/lisa/2965 |