Vision and visuality: Regimes of knowledge and appropriation of others in ethnographic museums and ethnographic film
This paper presents some similarities between epistemological paradigms in anthropological museum exhibitions and ethnographic films. Both the museum and ethnographic films are analysed as the models of representations based on the domination of vision as mode of knowledge through which curators and...
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| Format: | Article |
| Language: | English |
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Institute of Ethnography, SASA, Belgrade
2010-01-01
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| Series: | Glasnik Etnografskog Instituta SANU |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/0350-0861/2010/0350-08611001085S.pdf |