At sanse smagen af tv-medieret mad
How is it possible for a food programme to give me a sensory experience of taste, when the two most important senses – the actual smell and taste – are not in play? This is a sensory paradox that this article will examine. The argumentation is apparent in descriptions about the sensory phenomenon sy...
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Format: | Article |
Language: | Danish |
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Sammenslutningen af Medieforskere i Danmark (SMID)
2010-05-01
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Series: | MedieKultur: Journal of Media and Communication Research |
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Online Access: | https://tidsskrift.dk/mediekultur/article/view/2061 |
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doaj-9dc3e314584842b5a9ac89667a72f7892020-11-24T22:33:33ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262010-05-01264810.7146/mediekultur.v26i48.20611975At sanse smagen af tv-medieret madKatharina Thordis RaagaardHow is it possible for a food programme to give me a sensory experience of taste, when the two most important senses – the actual smell and taste – are not in play? This is a sensory paradox that this article will examine. The argumentation is apparent in descriptions about the sensory phenomenon synaesthesia, which basically suggests that we can think about the senses as co-dependent. I will argue that food programmes use sensory strategies – that is synaesthetic strategies – in order to mediate a specific and sensory experience of taste. In light of this, I will analyse two Danish produced food programmes, “Spise med Price” (2008-2009) and “Du er hvad du spiser” (2005-2007), in order to establish a profound understanding of the food programmes’ sensory dramaturgical tools.https://tidsskrift.dk/mediekultur/article/view/2061sanselighedsynæstesiæstetisk relationsmagmadprogrammer |
collection |
DOAJ |
language |
Danish |
format |
Article |
sources |
DOAJ |
author |
Katharina Thordis Raagaard |
spellingShingle |
Katharina Thordis Raagaard At sanse smagen af tv-medieret mad MedieKultur: Journal of Media and Communication Research sanselighed synæstesi æstetisk relation smag madprogrammer |
author_facet |
Katharina Thordis Raagaard |
author_sort |
Katharina Thordis Raagaard |
title |
At sanse smagen af tv-medieret mad |
title_short |
At sanse smagen af tv-medieret mad |
title_full |
At sanse smagen af tv-medieret mad |
title_fullStr |
At sanse smagen af tv-medieret mad |
title_full_unstemmed |
At sanse smagen af tv-medieret mad |
title_sort |
at sanse smagen af tv-medieret mad |
publisher |
Sammenslutningen af Medieforskere i Danmark (SMID) |
series |
MedieKultur: Journal of Media and Communication Research |
issn |
0900-9671 1901-9726 |
publishDate |
2010-05-01 |
description |
How is it possible for a food programme to give me a sensory experience of taste, when the two most important senses – the actual smell and taste – are not in play? This is a sensory paradox that this article will examine. The argumentation is apparent in descriptions about the sensory phenomenon synaesthesia, which basically suggests that we can think about the senses as co-dependent. I will argue that food programmes use sensory strategies – that is synaesthetic strategies – in order to mediate a specific and sensory experience of taste. In light of this, I will analyse two Danish produced food programmes, “Spise med Price” (2008-2009) and “Du er hvad du spiser” (2005-2007), in order to establish a profound understanding of the food programmes’ sensory dramaturgical tools. |
topic |
sanselighed synæstesi æstetisk relation smag madprogrammer |
url |
https://tidsskrift.dk/mediekultur/article/view/2061 |
work_keys_str_mv |
AT katharinathordisraagaard atsansesmagenaftvmedieretmad |
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1725730460354478080 |