At sanse smagen af tv-medieret mad

How is it possible for a food programme to give me a sensory experience of taste, when the two most important senses – the actual smell and taste – are not in play? This is a sensory paradox that this article will examine. The argumentation is apparent in descriptions about the sensory phenomenon sy...

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Bibliographic Details
Main Author: Katharina Thordis Raagaard
Format: Article
Language:Danish
Published: Sammenslutningen af Medieforskere i Danmark (SMID) 2010-05-01
Series:MedieKultur: Journal of Media and Communication Research
Subjects:
Online Access:https://tidsskrift.dk/mediekultur/article/view/2061
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spelling doaj-9dc3e314584842b5a9ac89667a72f7892020-11-24T22:33:33ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262010-05-01264810.7146/mediekultur.v26i48.20611975At sanse smagen af tv-medieret madKatharina Thordis RaagaardHow is it possible for a food programme to give me a sensory experience of taste, when the two most important senses – the actual smell and taste – are not in play? This is a sensory paradox that this article will examine. The argumentation is apparent in descriptions about the sensory phenomenon synaesthesia, which basically suggests that we can think about the senses as co-dependent. I will argue that food programmes use sensory strategies – that is synaesthetic strategies – in order to mediate a specific and sensory experience of taste. In light of this, I will analyse two Danish produced food programmes, “Spise med Price” (2008-2009) and “Du er hvad du spiser” (2005-2007), in order to establish a profound understanding of the food programmes’ sensory dramaturgical tools.https://tidsskrift.dk/mediekultur/article/view/2061sanselighedsynæstesiæstetisk relationsmagmadprogrammer
collection DOAJ
language Danish
format Article
sources DOAJ
author Katharina Thordis Raagaard
spellingShingle Katharina Thordis Raagaard
At sanse smagen af tv-medieret mad
MedieKultur: Journal of Media and Communication Research
sanselighed
synæstesi
æstetisk relation
smag
madprogrammer
author_facet Katharina Thordis Raagaard
author_sort Katharina Thordis Raagaard
title At sanse smagen af tv-medieret mad
title_short At sanse smagen af tv-medieret mad
title_full At sanse smagen af tv-medieret mad
title_fullStr At sanse smagen af tv-medieret mad
title_full_unstemmed At sanse smagen af tv-medieret mad
title_sort at sanse smagen af tv-medieret mad
publisher Sammenslutningen af Medieforskere i Danmark (SMID)
series MedieKultur: Journal of Media and Communication Research
issn 0900-9671
1901-9726
publishDate 2010-05-01
description How is it possible for a food programme to give me a sensory experience of taste, when the two most important senses – the actual smell and taste – are not in play? This is a sensory paradox that this article will examine. The argumentation is apparent in descriptions about the sensory phenomenon synaesthesia, which basically suggests that we can think about the senses as co-dependent. I will argue that food programmes use sensory strategies – that is synaesthetic strategies – in order to mediate a specific and sensory experience of taste. In light of this, I will analyse two Danish produced food programmes, “Spise med Price” (2008-2009) and “Du er hvad du spiser” (2005-2007), in order to establish a profound understanding of the food programmes’ sensory dramaturgical tools.
topic sanselighed
synæstesi
æstetisk relation
smag
madprogrammer
url https://tidsskrift.dk/mediekultur/article/view/2061
work_keys_str_mv AT katharinathordisraagaard atsansesmagenaftvmedieretmad
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