Writing Under the Influence? Salieri and Schubert’s Early Opinion of Beethoven
In 1822, Schubert dedicated his Variations on a French Theme for Piano Four-Hands, Op. 10 (D624) to Beethoven. This dedication was his most public and extravagant proclamation of an abiding reverence for the older master that he held until his dying day. Indeed, if Ferdinand Schubert is to be belie...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2003-03-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4941 |