“Thou art translated”: Remapping Hideki Noda and Satoshi Miyagi’s A Midsummer Night’s Dream in Post-March 11 Japan
Ever since the first introduction of Shakespeare to a Japanese audience in the nineteenth century, his plays have functioned as “contact zones,” which are translingual interfaces between communities and their cultures; points of negotiation, misunderstanding and mutual transformation. In the context...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2016-12-01
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| Series: | Multicultural Shakespeare |
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| Online Access: | https://czasopisma.uni.lodz.pl/szekspir/article/view/1944 |