Painting or relief: The ideal icon in iconophile writing in Byzantium
This text is focused on the transformation of the definition of the icon in Byzantine image theory from an identification of graphe with painting in the writings of John of Damascus (ca. 675-754) to the equation of graphe with typos understood as the imprint of an intaglio on matter in the theory of...
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| Format: | Article |
| Language: | deu |
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Faculty of Philosophy, Belgrade
2006-01-01
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| Series: | Zograf |
| Online Access: | http://www.doiserbia.nb.rs/img/doi/0350-1361/2006-2007/0350-13610731007P.pdf |