Objects, Speed, and the Film within the Film: Vachel Lindsay and Classical Cinema as an Alternative Public Sphere
This essay reads Vachel Lindsay’s film theory as symptomatic of an oscillation, still present in the period of early classical cinema, between the ordering effect of the classical codes and the centrifugal potential of the film image. Lindsay located this potential in the dispersive effect of...
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| Format: | Article |
| Language: | deu |
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StudienVerlag
2004-08-01
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| Series: | Österreichische Zeitschrift für Geschichtswissenschaften |
| Online Access: | https://journals.univie.ac.at/index.php/oezg/article/view/4145 |